Catherine Muirden has been appointed as the next chair of the board at the National Galleries of Scotland, succeeding the colourful corporate veteran Benny Higgins, who is stepping down October 31 after eight years in the role.
“Catherine brings extensive experience from the arts, retail and financial sectors, having held senior roles at Barclays, Marks and Spencer, the John Lewis Partnership and The Co-operative Group,” said National Galleries of Scotland.
“She has served on arts boards across Scotland for over 20 years, including as Vice Chair of Scottish Ballet and Chair of the Fruitmarket Gallery. She is also a Non-Executive Director of Haventus in the Highlands and a board member of Sistema Scotland.
“An Arts graduate and visiting business lecturer at the University of Edinburgh, Catherine is passionate about widening participation in the arts and supporting the National Galleries of Scotland’s vision to connect people across Scotland and beyond with the nation’s outstanding art collection.”
Muirden said: “I’m thrilled and honoured to be taking up this appointment as Chair of the National Galleries of Scotland. I first encountered the collection when I was a student here in Edinburgh, and I have loved and cherished it ever since.
“I step into the role with much respect for the legacy left by Benny Higgins – his steadfast commitment to promoting Scotland’s cultural heritage and expanding access to the national art collection has set a high bar, and I look forward to building on that foundation.
“In taking on this responsibility, I pledge to work in close partnership with Anne Lyden and her exceptional leadership team, colleagues, curators and the Trustees. Together, we will make sure that the National Galleries of Scotland remain dynamic, resilient and responsive to the evolving needs of Scotland’s artistic and cultural communities.
“I have a strong belief that art should be accessible, meaningful – and that it can be transformative.
“My priorities will include safeguarding and enhancing the national art collection, strengthening public engagement through The Art Works development and working to secure sustainable funding and infrastructure.
“It’s a privilege to serve, and I’m excited to begin this next chapter in the stewardship of our wonderful national art collection.”
